Archive for the ‘Art’ Category
Wednesday, January 20th, 2010
From that personal involvement came the Arts & Crafts emphasis on authenticity, which eventually changed from active to passive, from making to having.People came to believe that virtue emanated from possessions that evoked national traditions of organic nature and colonial simplicity, regardless of whether or not their owners had anything to do with making them, or even whether or not they were actually made by hand.
Making and decorating pottery appealed to early Arts & Crafts enthusiasts, especially women. Unlike needlework, which evoked domesticity, pottery allowed upper-class women to transcend traditional endeavour by establishing studios and working outside the home.Visitors to the Centennial had admired the underglaze decoration of faience pieces from Doulton and Haviland, as well as the colourful glazes of stoneware from Japan and China. Among those who returned home inspired were Mary Louise McLaughlin (1847-1939) and Maria Longworth Nichols (1849-1932), who soon clashed over the development of the Rookwood Pottery in Cincinnati. They already participated in a lively art scene sparked by several Ruskinian instructors at the University of Cincinnati’s School of Design. One of them, Benn Pitman (1822-1910), had earlier taught McLaughlin china painting, or the art of decorating glazed pottery. Energized by the Centennial, she began experimenting with underglaze decoration, the painting of pottery slips prior to glazing, a process that yielded the ‘appearance of a painting in oil’. 27 Nichols approached the subject more circumspectly by illustrating a book on Pottery: How It Is Made, Its Shape and Decoration (1878) written by her husband, the art critic George Ward Nichols.A year later McLaughlin invited local pottery decorators to join her in the Cincinnati Art Pottery Club. When her invitation to Maria Nichols went astray, the latter sensed a slight and founded the Rookwood Pottery in 1880.
One of the most successful Arts & Crafts ventures, Rookwood followed a common trajectory as it moved from initial idealism to commercial success. At first the amateur club and the fledgling art pottery coexisted, sharing facilities at a commercial pottery. Nichols established a gendered division of labour that became standard at most art potteries, hiring an experienced male potter to throw blanks on the wheel. The decorators were women, at first upper-class volunteers from the club but soon replaced by paid employees. Within a year Rookwood produced several thousand pieces in 70 shapes, each uniquely decorated in lustrous floral imagery with reflective overglazing.
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Posted in Antiques, Art
Wednesday, January 20th, 2010
Meissen porcelain is a very famous porcelain which in history remains as the first hard paste porcelain ever produced in Europe. This porcelain was spread in large European markets by an alchemist and today we have many large manufacturers that produce this porcelain and museums that carefully preserve and show visitors different art products made using Meissen porcelain. This porcelain was introduced in Europe in the late 18th century and in United Stated of America in the mid’ 1900’s. Today this porcelain is well known for its durability, quality and excellence. However people constantly produce fake Meissen products claiming that they were preserved from the 19th and the 20th century.
What these people might not know is that it’s very easy to distinguish authentic Meissen from the fake reproductions. This can be done by easily searching for under glazed blue markings that were either painted on or fired. The older markings include initials such as AR which stand for Augustus Rex, KPF for Königliche Porzellan-Fabrik, which was a large porcelain factory, KPM for Königliche Porzellan-Manufaktur, which was also a large factory and so on. On later times these initials started to be replaced by other symbols such as crossed swords. By looking at these markings you will know that the porcelain art you’re about to buy is a real antique.
Meissen porcelain was brought in the US sometime around 1966 and as a result most of the antiques that can be purchased in this country date back from this period mostly. Their prices are dependable on many elements such as their origin, the period they belong to, the damages and other factors. But in short terms you have to know that if you are about to buy a Meissen art, you will have to pay a relatively high amount of money.
For more info on Meissen porcelain
visit: http://www.meissenchina.net
Posted in Art
Thursday, January 7th, 2010
Ever wonder who thought up those crazy yet oh so feminine and snazzy Tokidoki handbags? Pondered what kind of twisted mind could make the avatar of death so CUTE? We owe it all to the surprisingly young artistic entrepreneur, Simone Legno. He was born in Rome, one of the holiest and most religious of cities in the entire world. Yet from this atmosphere emerged a mind capable of perky color, sometimes dark humor, and distinct lack of solemnity nonetheless laced with a continuing thread of joy and zest for life.
Classically trained as an artist, Legno eventually created a web site to showcase his work and also serve as a diary of sorts. This is standard enough for any artist, but Legno’s notable talent and very distinctive style garnered a great deal of attention. Eventually the site became so popular that a noteworthy British newspaper took notice and listed it as one of the top web sites of the week. This in turn attracted attention from American, in the form of a husband and wife business team: the co-founders of the Hard Candy Cosmetics company. This was truly a breakthrough moment for Legno, and the enthusiasm shared between the three is nothing short of remarkable. They provided Legno a plane ticket and held a meeting in Los Angeles, where they made an offer to turn Legno’s art style into a full-blown powerful fashion brand.
Legno found this offer too good to pass up, and left the holiness of Rome for the liberal urbanity of modern California. He created the Tokidoki brand with the help of his new partners, naming it for the Japanese word ’sometimes.’ He explains the choice of the word as a representation of his positive attitude on life, where ’sometimes’ represents the little subtle moments that give people the power to turn each new day into a positive thing.
He chose to visually represent this philosophy with artistic inspiration drawn from Japanese art. The characteristic large-eyed, round-headed, and small-bodied ‘chibi’ look of Japanese comics and cartoons translated well to his outlook. Through it, he has created fashionable purses, shirts, and toys that manage to turn even the grim reaper, a thorny cactus, or a girl wielding lethal weaponry into something adorable.
Initially the brand confined itself primarily to clothing, but its surging popularity has allowed Legno to branch out into ever more interesting and unique products. Particularly notable for its emphasis on modern urban life is the inclusion of such specialized products as the Tokidoki flash drive and laptop case. Legno has done an excellent job of using simple, colorful imagery to appeal to the slightly alternative inner tween in most women and even more than a few men, and has been an enthusiastic proponent of using art in one’s regular lifestyle and wardrobe to create an overall positive outlook. Today, Legno still lives in California, although he often travels for the sake of spreading the name of his beloved brand throughout the world.
Please visit tokidoki handbags or briefcasesformen.com for more information.
Posted in Art
Thursday, January 7th, 2010
In the day and age of the internet, magazines are not quite as popular as they once were…
However, there are still tens of millions of people who still like to be able to physically hold a magazine in their hands and read about their favorite hobbies, interests, and news.
Let’s face it, sometimes we all need breaks from sitting in front of a computer all day to get information….TV, newspapers, and magazines still allow the traditional methods of doing so.
Unfortunately, most of the information on-line is free, yet magazines still charge high fees to have their issues mailed to your house. The great news is that you no longer have to pay high costs in order to obtain your favorite magazine titles! You can get your magazine subscriptions for FREE!
Yes thats right! Free Magazine Subscriptions!!
Now you may be skeptical or wonder how this is possible…there is a small catch. You see there are websites where you can browse through a large selection of the most popular magazine titles, and then can select a title, and complete a free single trial offer. That’s it! Now before you write this off hear me out! It is well worth your time! Once you have decided upon a magazine, it’s a very simple no-risk process, you will be prompted to enter your name and mailing address. No payment information!
As for the trial offers here are my suggestions on which to choose from -
1) Alot of the trial offers are absolutely free! Meaning you can sign up for an offer such as a 7 day trial to something….simply sign up, and then you can cancel before your trial membership is up. There is absolutely no cost to you whatsoever, and yet you will receive a one year subscription to whatever magazine you selected! And you can do this over and over again through any of the other available offers which are free!
2) You can simply purchase a product or service you would have normally purchased anyways! For example, I always have anti-virus software on my PC, I have bought this every year for the past 10 years. Well, I can choose my favorite magazine title, and then when presented with the offers I simply go ahead and buy my virus software that I would have normally bought anyways. And I will also receive my magazine title free of charge! And folks, I’m talking about a magazine subscription which retails for MORE than the cost of the anti-virus software!
3) And there is an ever easier method to get free magazine subscriptions. And its simply by referring your friends! Thats it! And not just free magazines, but also other prizes! And its very easy to let your friends know…most sites have a tool to import your contact list! So you are able to notify everyone you know with just a few minutes of your time. Which is a good thing because the more people you refer the more magazines and prizes you will earn.
Last but not least, let me give you a little secret….in the event you do not like any of the trial offers presented, you’ll typically get an email about a special offer a day or so later where you can purchase the magazine directly at a special reduced price! Now granted, taking this route is not a free magazine, however the direct purchase price is very competitive and from what I have seen beats the competitions price….so if you still rather purchase your magazine, you’re covered as well.
Magshark.com is an example, where you can get free magazine subscriptions and discounted magazines.
You can also use the magazine rewards program to get even more free magazines and other prizes such as Amazon gift certificates.
Posted in Art
Thursday, January 7th, 2010
At first Shannon didn’t care for pheasant hunting, shooting, and the common pheasant, he couldn’t tell a male pheasant from a female one-to be forthright, nor cared. There was a big difference, the bright colors of the male, and adornments such as wattles and long tails, plus they were larger than the female. He learned they typically ate seeds and insects, for the most part. And you never saw the males rearing the children. On the other hand, Gus, Shannon’s brother shot them not only for eating, but for sport, during the fall months, in his dried up cornfields, of Minnesota, about twenty-miles outside the city limits, of St. Paul.
In the November morn, you could hear the noises of flapping wings, and hounds chasing the pheasants, converging on them, somewhere in the cornfields. Sometimes Old Gus O’Day, he’d build a box for the pheasant to get trapped in, and check it out the next day-the pheasant would search for seeds, and upon finding them, the box would enclose the bird.
Shannon standing just behind his brother as he had been standing when his brother shot, the first pheasant, Shannon ever saw shot, with his shotgun, and with the first shot, like a snake the pheasant fell from the sky, and by the time he hit the ground, it had a cold heart. It seemed to Shannon, they never came into sight, they were just there as if his brother ordered them to be there, and there they were. Looking near like a ghost, condensed in his cornfields, not only moving on the ground, but flowing over head, faster than a deer, soaring high, like flying antlers, even in the dim morning light, looking more like sparrows than large rocking-chair unbalanced heavy bellied birds, with thin heads, and shaggy tails like rats, or wolves.
The female, brown as the dirt in the cornfields, wasn’t as appealing to the eye as the male, Shannon declared.
“Now,” Gus O’Day said, “…aim, then shoot quick, but first ease on the trigger, like you were taught in the Army…!” it was a Ring-nicked pheasant, perhaps flew down from South Dakota, got lost in the Minnesota cornfields. Mabel, Gus’ wife, often roasted the birds for Sunday dinners, with potatoes and vegetables, and some kind of pudding. She’d place it in a roasting pan, about 325 F, and perhaps even lower, so the juices inside the cut would not escape, or allow them to escape before it finished cooking.
Shannon did not recall the shot he made, he just shot the gun-he never even heard the shot, nor felt shock of the gun-butt. His brother was in his late sixties, and Shannon in his late fifties, then he was standing over the pheasant, where it lay in the wet cornfields, looking as dead as dead can be, a few automatic impulses still making the boy shake and jerk, with Gus, beside Shannon.
“He aint never goin’ to wake up, Shannon, he’s goin’ to be roasted tomorrow,” said Gus.
Gus put a knife across the throat of both birds, and stooped over when he cut through the necks, his hands soaked in hot blood and he wiped them off with a rag he carried tucked inside his belt, then he called his dog, then the two men and the dog and the Gus with the pheasants, walked back to the farmhouse.
“Did I do all right?” asked Shannon.
“You done all right,” said Gus.
It was one of the last times, Gus and Shannon would do something together forever. Gus, told his brother that, hat and coat tightly on, a snuff-box in his coat pocket, and Shannon with a brown glass pint of whiskey in his pocket, taking it out, gleaming and glittering and then drinking half it down, and handing the other half to Gus, who did the same.
“The folks,” Gus said, “We’ve been shooting pheasants around here for a century I swear!” his fingernails, getting bloody.
“I’m goin’ to miss pheasant hunting,” laughed Gus. Then he stopped laughing, looking at the blood on both sides of his hand, “except this part,” he commented.
That was true, Shannon thought. And after his brother died in 1957, of a heart attack, he’d not forget, the first time he stood in the cornfields, not drinking, but shooting his first pheasant, and sometimes, even went to the fields, as if they had drawn him, and watched the cluttered fields empty out with heavy bodied, long tailed pheasants.
No: 551/12-2-2009/••
See Dennis’ web site: http://dennissiluk.tripod.com
Posted in Art
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